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Now booking Tate Modern Performance

A Map of the Pit

7 March 2025 at 18.30–21.30
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Original image from Georgius Agricola's De Re Metallica (1556), modified by James Richards

Explore an evening of moving image and performances at the closing event of Hyundai Commission: Mire Lee: Open Wound, guest-curated with artist James Richards

Mire Lee examines how industrial and post-industrial landscapes affect the human body. Using a wide range of materials, Lee creates works that provoke deep, emotional reactions. Over six months, Hyundai Commission: Mire Lee: Open Wound has transformed Tate Modern’s Turbine Hall into what she describes as an ‘industrial womb,' brought to life by both kinetic machines and human effort. Blending moments from industrial history with surrealist themes, Lee uncovers human dreams and desires within vast technological systems.

For over a decade James Richards has developed a distinct practice rooted in the collage of images and sound, driven by a commitment to the role of desire in an increasingly mediated reality. With a sensitivity to intensities generated by different spaces and exhibitionary formats, Richards is also known for collaborations where he move fluidly between the role of artist, composer and curator, with attempts to, in his own words, ‘find the porous line between inside and outside, self and other, the body and the world.’ 

Building on the shared interests of Lee and Richards, A Map of the Pit combines collage techniques in an experiment across disciplines and media. It includes new live performances and presentations by Gary A Boyd, Megan Fernandes & Sa’dia Rehman, and Lucy Beech + Sarah Dacey and Rosie Middelton; and films by Jumana Manna, Errol Morris, James Richards, Amina Ross, and P.Staff. It takes the audience on a journey through various landscapes and moods, from Britain’s coalfields to East Jerusalem to Shanghai’s streets at night, from slaughterhouse architecture to the glow of phone screens.

The evening programme is co-curated by artist James Richards and Tate curator Alvin Li, with support from Bilal Akkouche.

The running order will be revealed at the event.

Hyundai Commission: Mire Lee: Open Wound in partnership with Hyundai Motor. With support from The Mire Lee Supporters, The Mire Lee Supporters Circle and Tate Americas Foundation.

The Hyundai Commission: Mire Lee: Open Wound: Closing Programme: A Map of the Pit is supported by Cherry Xu / CHERUBY.

Below are biographies of participants working on new commissions only. The full list of artists will be shared at the event.

Lucy Beech

Lucy Beech is an artist whose practice revolves around collaboration and encompasses filmmaking, choreography, research, and writing. Forthcoming and recent presentations of their work include: New Musuem, NY (2025) Between Bridges Berlin, DE; Museum of Contemporary Art Bordeaux, FR; Fondazione MAST Bologna, IT (2024); and Kunstinstituut Melly, NL; among others. 

Gary A. Boyd

Gary A. Boyd is Professor of Architecture at University College Dublin. His monograph Architecture and the Face of Coal: Mining and Modern Britain (published by Lund Humphries) won the Alice Davis Hitchcock Medallion for contribution to architectural history in 2023.

Megan Fernandes 

Megan Fernandes is a writer living in NYC. Her third book of poetry, I Do Everything I’m Told (Tin House 2023), was named a Best Book of 2023 by The New Yorker, Time Magazine, The Boston Globe, Vogue, The Rumpus, ElectricLit, LitHub, etc. Fernandes is an Associate Professor of English and the Writer-in-Residence at Lafayette College where she teaches courses on poetry and critical theory. 

Sa’dia Rehman 

Sa’dia Rehman (all pronouns) is a nomadic multidisciplinary artist. Notable exhibitionss and residencies include: The New Art Gallery Walsall, Wexner Center for the Arts, Pakistan National Council of the Arts, ArtLab at Harvard University, Art Omi, and Edward Albee Foundation.

James Richards

James Richards was born in 1983 in Cardiff, Wales, and is based in Berlin. His practice includes moving image, music, and curatorial projects. Richards was shortlisted for the Turner Prize in 2014. In 2017 he represented Wales at the 57th Venice Biennale and was awarded the Preis der Nationalgalerie 2024.

This event will be BSL interpreted.

All Tate Modern entrances are step-free. You can enter via the Turbine Hall and into the Natalie Bell Building on Holland Street, or into the Blavatnik Building on Sumner street.

There are lifts to every floor of the Blavatnik and Natalie Bell buildings. Alternatively you can take the stairs.

  • Fully accessible toilets are located on every floor on the concourses.
  • A quiet room is available to use in the Natalie Bell Building on Level 4.
  • Ear defenders can be borrowed from the Ticket desks.

To help plan your visit to Tate Modern, have a look at our visual story. It includes photographs and information about what you can expect from a visit to the gallery.

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Tate Modern

Starr Cinema

Bankside
London SE1 9TG
Plan your visit

Date & Time

7 March 2025 at 18.30–21.30

Pricing

£10

£7 Concessions

£5 for Tate Collective. 16–25? Sign up and log in to book

Book tickets

Content guidance: This performance contains flashing lights and features images of animals in slaughterhouses

In partnership with

Supported by

The Mire Lee Supporters

Ministry of Culture, Sports and Tourism of Korea, Korea Arts Management Service, and the grant program Fund for Korean Art Abroad

Richard Chang

Yan Du

Lonti Ebers

The Mire Lee Supporters Circle

Tina Kim Gallery

Antenna Space

Sprüth Magers

The Peter Magnone Foundation

Mondriaan Fund

Miyoung Lee and Neil Simpkins

Eleanor and Francis Shen

Victoria Bruhn

Wendy Lee

Dina Liu

Allison Berg

Kahng Foundation

Lisa Kim and Eunu Chun

Dana and Gregory Lee

Kyungsoon Lee and Jungwoo Shon

Teresa Tsai

Yoonjung and Edouard Ullmo

Margaret Wang

Yang Won Sun Foundation

Hee Yoon

Salle Yoo and Jeff Gray

Tate Americas Foundation

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